• Low-Latency Performance – Using an i7 class processor, latency can be reduced to as low as 5ms.
• The Perfect Declipper – A unique filter, also found in our Omnia.9 and 11 flagship processors. It
detects and reconstructs clipping-damaged audio (distortion caused by too-loud input levels and
overly aggressive mastering), prevalent in music.
• Delossifier – Improves the sound of lossy encoded audio, such as MP3- and MPEG2-encoded audio.
• Dehummer – Removes constant tones such as a 50/60 Hz hum on the fly.
• Hiss Reduction Filter – A powerful hiss-reduction filter that tackles hiss while leaving adjacent
content alone. Especially useful when playing older songs or other noisy content.
• Natural Dynamics – Boosts transients. This mainly boosts percussion instruments, adding more
dynamics, which gives the rest of the processing chain more to work with.
• Automatic Gain Control (AGC) – The ITU.1770-based AGC keeps the sound compliant to a defined
loudness level.
• Bass Harmonics – This filter increases the bass level without increasing the maximum amplitude
of the bass, and adds harmonics that make the bass more audible on speakers with poor bass
reproduction.
• Phase Delay – Purposely adds phase-nonlinearity. Can be used among others to generate a more
• Phase Delay – Purposely adds phase-nonlinearity. Can be used among others to generate a moreboomy bass.
• Bass in Your Face – Intelligently adds missing subharmonics.• Absolute Highs – Reconstructs missing highs if damaged or removed by lowpass filters.
• 2-9–Band Multiband Compressor / Limiter, x2 – OmniaSST has two multiband compressors thatcan be used in series. They have a very natural, pleasant, and non-fatiguing sound. Depending on thecontent, they move very quickly when they need to and slowly when they can.
• Phasing Error (AZIMUTH) Correction Filter – Detects and repairs phase-shift errors that are oftenpresent on tape recordings and some badly mastered CDs. These phasing errors can make listeningvery unpleasant, and can also cause severe artifacts when converting sound to mono, encoding itusing a lossy codec, or when playing it on a surround system. This filter automatically detects andrepairs such errors. For FM transmissions this can reduce multipath distortion and improve the audioquality when the radio blends to mono.
• Stereo Booster – Boosts the stereo width. It can be configured to not alter the total sound content.
• Stereo to Mono Conversion – Converts stereo to mono without removing sounds that normallycancel out during a mono sum. This leaves mono sounding just as full and powerful as the originalstereo sound.
• Distortion Masking Clipper – The same clipper that’s available in the Omnia.9sg. Now with a louderand cleaner “Rules are made to be broken” mode.
